AUDITIONS: Ride The Cyclone
PRESENTED IN THE WARNER STUDIO THEATRE
MUSIC, BOOK & LYRICS BY: JACOB RICHMOND & BROOKE MAXWELL
AUDITIONS
REHEARSAL SCHEDULE:
PERFORMANCE SCHEDULE:
Preview: Thursday, 10/29 – 7:30 PM
Friday, 10/30 – 7:30 PM
Saturday, 10/31 – 7:30 PM
Sunday, 11/1 – 2:00 PM
Thursday, 11/5 – 7:30 PM
Friday, 11/6 – 7:30 PM
+Saturday, 11/7 – 2:00 PM
Saturday, 11/7 – 7:30 PM
Sunday, 11/8 – 2:00 PM
Friday, 11/13 – 7:30 PM
+Saturday, 11/14 – 2:00 PM
Saturday, 11/14 – 7:30 PM
#Sunday, 11/15 – 2:00 PM
CHARACTER BREAKDOWN
*Performers of all ethnic and racial backgrounds are encouraged to audition.
THE AMAZING KARNAK – Male, 35-50. Non-singing role; the narrator; a mechanical fortune-telling machine.
OCEAN O’CONNELL ROSENBERG – Female, 18-25. The leader of the group, relentlessly competitive, sometimes cruel, though she sees herself as a virtuous person. High Broadway mix, with a pop quality; big range.
MISCHA BACHINSKI – Male, 18-25. Adopted from the Ukraine as a teenager; he has thick Ukrainian dialect and a lot of rage; he is obsessed with Gangsta Rap and an enormous fan of Auto-Tune but has a hidden, soulful romantic side. Baritenor with the ability to sing lyrical Ukrainian folk music as well as rap.
NOEL GRUBER – Male, 18-25. The only gay kid in Uranium; never had a relationship; obsessed by French New Wave cinema, he has fantasies of dying a tragic death. Must be able to sing in the style of a French chanteuse.
RICKY POTTS – Male, 18-25. Ricky Potts is a mute boy with an overactive imagination.He gains the ability to speak in the afterlife and talks about his fantasies of the Zolarian galaxy. Baritone rock voice; basic accordion and/or tumbling a plus.
CONSTANCE BLACKWOOD – Female, 18-25. Overweight, and outwardly okay with it, but also has a very deep self-loathing. Will do anything for Ocean’s friendship and allows herself to be used as a doormat; dubbed “the nicest girl in town,” a title she secretly despises. Very likable comic actress; alto belt with a rock edge.
JANE DOE – Female, 18-25. She was decapitated in the accident and no one claimed her body, even though she isn’t headless in the piece (but often carries around a headless doll). She reacts in a literal way and largely without emotion, almost robot-like; the other characters are totally freaked out by her. Classically trained soprano with a flexible coloratura upper range and some grit and meat in the lower register.
