AUDITIONS: August Wilson’s Seven Guitars

Written By: August Wilson

Directed by: Tiana Mudzimurema

Presented in THE WARNER STUDIO, GHOSTLIGHT THEATRE (BENTON HARBOR), ST. JOSEPH COUNTY PUBLIC LIBRARY, AND SOUTH BEND AREA SCHOOLS. 

SYNOPSIS:

Set in 1947, the play takes place in the backyard of a small apartment building in the Black district of Pittsburgh. Five people have congregated after the funeral of Floyd Barton, a jazz musician who had been on the rise: Vera, Floyd’s grief-stricken fiancée; Red Carter and Canewell, two musicians in Floyd’s band; Louise, who owns the building; and Hedley, who experiences a combination of severe delusions and transcendent clarity.
Seven Guitars begins and ends directly after the funeral of Floyd ‘Schoolboy’ Barton. We then flashback to the week leading up to Floyd’s unusual death. We learn that Floyd has recently been released from jail and has become an overnight sensation with his record ‘That’s All Right’. He comes back to Pittsburgh trying to convince his old love, Vera, to come with him to Chicago so he can become a star. We find out that Floyd has made a lot of mistakes, and he sets off on a journey to right his wrongs and prove to his community that he has changed. As soon as everyone is convinced and it seem as though things are finally going his way, Floyd is killed, and everyone’s world comes crashing down once more. Floyd, as well as the other men in the play, grapple with what it means to be a man, and all of the characters struggle with how to get ahead in a world that seems to be set against everything they are.
Source: Super Summary and Stage Agent

AUDITION/CALLBACK INFORMATION:

Audition/Callback location: South Bend Civic- 403 N. Main Street, South Bend, Indiana — Enter through front doors off Main Street

 

IMPORTANT DATES

AUDITIONS

AUDITION DATES:
MONDAY, JUNE 23RD @ 6 PM – 9 PM
TUESDAY, JUNE 24TH @ 6 PM – 9 PM
CALLBACK DATE: 
WEDNESDAY, JUNE 25TH @ 6 PM – 9 PM

 

REHEARSAL SCHEDULE:

First Rehearsal: MONDAY, JULY 7TH @ 6 TO 9 PM
Rehearsals will be held:
MONDAY TO THURSDAY FROM 6 TO 9 PM IN THE WARNER STUDIO UNLESS OTHERWISE NOTED
*A more specific rehearsal schedule will be sent out once show is cast*
 
Tech week begins: MONDAY, AUGUST 25TH
Dress rehearsals begin: MONDAY, SEPTEMBER 1ST

PERFORMANCE SCHEDULE:

*dates italicized are potential show dates and will be confirmed asap. Please take them into consideration when determining conflicts. Dates will not be added to the performance schedule after August 18th. Any and all potential extra show dates that appear after casting will be communicated immediately by production management.*
 
THURSDAY, September 4th @ 7:30 pm – Warner, Preview night (Final Dress with an Audience)
 
FRIDAY, September 5th @ 7:30 pm – Warner, Opening Night
SATURDAY, September 6th @ 7:30 pm – Warner
SUNDAY, September 7th @ 2:00 pm – Warner
TUESDAY, September 9th @ 10:00 am – Potential School Day Performance – will be confirmed by August
 
FRIDAY, September 12th @ 7:30 pm – Ghostlight Theatre (Benton Harbor)
SATURDAY, September 13th @ 7:30 pm – Ghostlight Theatre (Benton Harbor)
TUESDAY, September 16th @ 10:00 am – Potential School Day Performance – will be confirmed by August
 
FRIDAY, September 19th – Potential Community Performance – will be confirmed by August
 
SATURDAY, September 20th @ 7:00 pm – St Jospeh County Public Library+
 
TUESDAY, September 23rd @ 10:00 am – Potential School Day Performance – will be confirmed by August+
 
+ Final performance will be followed by a mandatory strike. Details will be shared ahead of time depending on show needs. 
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What To Prepare

Please prepare a  monologue or a spoken word piece to recite no longer than a minute and a half to two minutes (A memorized piece is preferred but not mandatory). Sides will also be provided at audition to read. It is suggested to prepare a short song/ballad, but it is not mandatory.

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Additional Information

Audition/Callback location: South Bend Civic- 403 N. Main Street, South Bend, Indiana — Enter through main doors off Main Street

CHARACTER BREAKDOWN

This play has a heavy Jazz & Blues influence, so we are looking for individuals who are proficient in the following to come and audition!

– Trumpet
– Piano
– Guitar
– Saxophone
– Harmonica
– Violin
– Drums

Floyd “Schoolboy” Barton

A talented blues guitarist and singer, recently released from jail. Charismatic and driven by a dream of making it big in Chicago, he’s trying to rebuild his career and personal life. He’s flawed but earnest, caught between hope and harsh reality.

Vera Dotson

Floyd’s ex-girlfriend. Grounded, intelligent, and emotionally reserved due to past hurt, particularly Floyd’s betrayal. Although cautious, she still harbors a love for him, representing loyalty and resilience.
Because the play alternates between before and after Floyd’s death, Vera experiences both great love and mistrust towards Floyd, as well as mourning his loss.

Canewell

A harmonica player and Floyd’s loyal friend. Thoughtful and poetic, he often serves as a moral compass. He has unspoken feelings for Vera, and his internal conflict adds depth to his character.
Although his feelings are unspoken, through out the play one can see the natural chemistry between to the two characters.

Red Carter

A drummer and another of Floyd’s friends. Straightforward and somewhat more easygoing. He represents the everyman—trying to survive and find some joy in a tough world.

Hedley

An older man who rents the backyard where much of the play is set. Mysterious and often in his own world, he speaks in prophetic and biblical tones. His mental instability and obsession with legacy make him both tragic and unsettling. Hedley is sometimes otherworldly. He is quirky and odd, but does not see himself that way. He is not afraid to push the limits, blurring the lines between life and death.

Louise

Vera’s outspoken and practical neighbor. Wise and independent, she offers a grounded, sometimes cynical perspective. She’s protective of Vera and sees through people’s nonsense.

Ruby

Louise’s niece, newly arrived in town. Young, flirtatious, and somewhat naive, Ruby disrupts the dynamic with her presence and represents a new, ambiguous kind of energy in the group. Ruby is also very comfortable in her body and knows when to use her beauty and charm to her advantage. Although she can be naive, she knows exactly what to do and says to get precisely what she wants and needs. 

TIANA MuDzimurema
Director